Showing posts with label Harvey Joiner. Show all posts
Showing posts with label Harvey Joiner. Show all posts

Monday, November 17, 2008

How Do We Know People Are looking for Antiques and Fine Art ?





This is a question that I am often asked and I have given much thought to my answer. The conclusion that I have come to is fairly simple. Are there paintings or other antiques that I would buy regardless of the economic conditions? The answer to that is a resounding yes! And, if I feel that way, then it only seems logical that others feel the same way. Very few people are in the business of Antiques and Fine Art solely for the money, you will find that most of them truly enjoy the items that they purchase. Most antique and are dealers are also collectors.

I can share my want list with you. These items remain constant regardless of other factors with the exception of price. First are paintings by Patty Thum, a Kentucky artist who painted around the turn of the century. You should add this to your list of things to watch for because I am obsessed with her work and so is my wife. We are also interested in other Kentucky artists such as Harvey Joiner, Carl Brenner and Paul Sawyier to a lesser degree.

But those aren't the only items that stay on my want list. I am always looking for Doulton pieces by leading artists including: Hannah Barlow, George Tinworth, Eliza Simmance, Mark Marshall, Frank Butler and Emily Stormer. By having constant items on your wish list, it helps you begin to associate with other collectors of these items therefore letting those collectors know you are a buyer. In addition, it provides you with a sell list of customers for items that don't meet the requirements for your personal collection.

It will subsequently become apparent to other people and they may consider you an expert in the area or items you choose to deal in. This provides you with a base of business and it will continue to expand as your name is shared with others. One of our first rules in the 31 Club is to let everyone we meet know what we're doing and after we have become established, we tend to forget to continue to follow this rule.

Make your list of items that you are most interested in and share them with everyone you come in contact with. This is the best way to promote yourself and it costs you nothing. Save money and help make money - what could be better than that?

Learn to Grow Your Bank Account Trading in Antiques & Collectibles. Register for the 31 Club. Daryle's 220 Page Book, 31 Steps to Your Millions in Antiques & Collectibles is FREE with your Membership.
Plus You Get FREE MENTORING with Daryle.
Join Today!

Tuesday, October 7, 2008

New Treasures Uncovered Following Financial Market Fallout


Several photos of a gold gilded compote with a glass insert came to me in my e-mail yesterday. The bottom mark read Pairpoint. While I’ve seen many pieces from this company before, I’d never seen one like this before. One particular photo really got my attention, because it was shot under a black light. You might wonder why the woman who sent me these photos shot it under a black light, but if you’ve kept up with my blogs, you would already know the answer. You see, under these lights, the glass insert gave off a fluorescent glow because it’s Vaseline Glass. This is a great way to test for Vaseline Glass, or simply take it into a dark closet.

As the financial markets continue to girate, I’m getting calls from people looking to sell some of the valuable items they’ve collected, like the Harvey Joiner painting I was called on. This is a large one, measuring 17” x 27” in a G.W. Baker frame. The sellers asking price was a little rich for my blood, but now I know who has it, should the right customer come along from my end. It’s important to keep track of the items you pass by, especially because of price. You never know when you’ll cross paths with someone who’d be the perfect customer for a piece like that, or what circumstances might cause the seller to accept a different offer.

Cindy and I have listed the new pieces 31 Club members have sent us, and they are now for sale in the gallery and marketplace. If you haven’t taken a look at what we have yet, why not do that now? You might just see something a customer has asked you to watch for, or you might find a nice Holiday Gift for someone very special.

Paintings in our gallery are getting tremendous exposure through Askart, and we are getting tremendous viewer response. This is just one of many features this club is bringing you at no cost to its members. The fee for the full line of services on Askart is over $200 per month, and you have full use of them by simply emailing us at info@31corp.com. Through our subscription on Askart, you’ll be privy to the most recent auction prices on a particular artist. Kind of like a real estate comparable the realtors use when determining the value of your house.

We’ve always got an open line to our members, so if you have any questions, or just want to call to say “hey”, don’t hesitate to do so.



Treasure Hunters:

You Find It.
We Buy & Sell It.
You Net 35%.


Partner Up with 31 Club on High Quality Treasures You Find. We Do the Rest!!

Sellers:

Sell Your High Quality Items for LOW FEES
at 31 Gallery & Marketplace.
Keep More of Your Money.


Buyers:

Buy High Quality Items for FAIR PRICES
at 31 Gallery & Marketplace.


Our Members are Newbies to Seasoned Professionals
Making More Money than they Thought Possible.

Daryle's 220 Page Book,
31 Steps to Your Millions in Antiques & Collectibles is FREE with your Membership.
Plus You Get FREE MENTORING with Daryle.
Join Today!

Or E-Mail us at info@31corp.com

Tuesday, September 16, 2008

The Advantage of Knowing Your Buyers and Making Private Sales

Charles Lotton, 1977, pulled feather vase sold through 31 Gallery & Marketplace in 2007.




Even in uncertain economic times like these, good customers are looking to increase their collections.

Having a buyer in mind before we buy an item greatly reduces the time it will take to sell it. When our time in the Antique & Collectible Business is spent servicing past customers, we won’t have to give away our found treasures at low prices. If we can find the right items for them, we’ll be able to turn our money quickly and keep it circulating. This should be one of our main goals.

At least 75% of the sales in the higher end Antiques and Fine Arts are made between private individuals.

Since I introduced Lotton Glass as the “next” Tiffany, many people have asked me to call them if I ran across a nice piece of this wonderful glass. Well, this happened two days ago. One of our members let me know he wished to sell a very special John Lotton 15” vase. I knew of a customer who just might be interested for the right price. Bingo. Another sale made and everyone is happy.

As the 31 Club grows larger, private sales between members will increase.

In private sales, the seller will receive more money for items, and the buyers will pay less. That works for me. How about you? I think we’ll have a large number of very satisfied customers.

The average sales price for items sold in the 31 Gallery & Marketplace is beginning to increase.

We are seeing more sales averaging $3,000 – $4,000 thousand and fewer items selling in the lower prices. You’ll make more money dealing in higher end items, and if you read yesterday’s blog, you’ll understand just why the higher end more rare items are where we want to be, especially in uncertain economic times.

Members Are on the Hunt for Great Items

Right now, I can mention several items that there have buyers just waiting for members to find the right piece for them. These include paintings by Carl Brenner, Patty Thum, Paul Sawyier, Pauline Palmer and Harvey Joiner. (By the way, we are working on acquiring one of Joiner’s paintings that’s presently in Canada.)

Customers of ours are looking for more great glass by Charles Lotton and John Lotton. A customer is looking for three Springfield Rifles to present to each one of his sons. George Ohr Pottery and Rookwood Pottery have buyers waiting for the right piece at 31 Club.

Utilizing the 31 Club Wish List in combination with the Associates Program will catapult your profit making ability.

Let’s see how this works: The Wish List gives you the opportunity to advertise the items you want to buy at no charge. Free Advertising. Say you’re wanting to by Rookwood Pottery, but you’re only able to purchase $300-$400 items. Along comes someone who sees your list and that you buy Rookwood, but they have a rare piece and want $2,000 for it. You know you can sell it for double that or more, but you don’t have the $2,000 to buy it. Are you going to throw away a perfectly good buy? No.

That’s when you use the Associates Program. We buy it, we sell it, and you get 35% of the net sale. Let’s plug some figures into that. Say we netted $4,500 when we sold that Rookwood vase you called us about. You’ll have made $1,575. And you never invested a dime or did anything to sell it. Now, add a zero onto all those figures and see how you feel. Think about this very hard and imagine the possibilities. I’ll be glad to hear from you when this hits you over the head. When it does, feel free to share your excitement with me at info@31corp.com or call me at 847-784-8544 if you have questions.

Now, go take on this fine day.
*******


Treasure Hunters:

You Find It.
We Buy & Sell It.
You Net 35%.


Partner Up with 31 Club on High Quality Treasures You Find. We Do the Rest!!

Sellers:

Sell Your High Quality Items for LOW FEES
at 31 Gallery & Marketplace.
Keep More of Your Money.


Buyers:

Buy High Quality Items for FAIR PRICES
at 31 Gallery & Marketplace.



Our Members are Newbies to Seasoned Professionals
Making More Money than they Thought Possible.

Daryle's 220 Page Book,
31 Steps to Your Millions in Antiques & Collectibles is FREE with your Membership.
Plus You Get FREE MENTORING with Daryle.
Join Today!

Or E-Mail us at info@31corp.com

Wednesday, August 6, 2008

Regional Art: There’s No Place Like Home



Have you thought about becoming a specialist in art from your surrounding area? Over the years, I have had some of the greatest art in my home by collecting the works of Kentucky artists. I’ve also made the largest amount of money in this business in Kentucky Art sales. I’ve found many of my Kentucky paintings in other states where they weren't as appreciated as they are at home, so big bucks were made that way. If you think about becoming specialized in the art of your region, both past and present, you might agree that this makes great sense.

As you know, I am forever on the hunt for paintings by Harvey Joiner, Carl Brenner, Paul Sawyier and Patty Thum. There are, of course, many more artists I’ll always add to my collection if they are presented to me, particularly from the Kentucky River Artists. You might recall I stated that everything in my house, with the exceptions of my wife and son are for sale for the right price, but two paintings by Patty Thum are my wife’s favorites, and they would have to go for a pretty penny if she’s to ever part with them.

I’ve been able to share my passions for Kentucky Art with my readers in several past blogs. It isn’t often one finds himself in a position to share his passions with others, however I’m in this position today.

You see, over forty years ago, I got to know an attorney in Owensboro Kentucky, by the name of Robert E. Humphreys, Jr. He had been a friend of my father’s for many years, and Mr. Humphreys assisted both of us in the oil and gas business. Although I knew him quite well, I had no idea many years later I would discover we had a similar passion – a love for the artists of Kentucky. While he was considerably older than me, this was one part of his life we had never discussed.

Well, a year or so ago, I was told Mr. Humphreys had one of the best known collections of Kentucky Art, and upon his death, his daughter and son-in-law acquired it. I wanted to introduce myself to them, so I phoned their residence and had a conversation about our love for these paintings. To my surprise, I was told that this collection would be shown in the Owensboro Kentucky Fine Arts Museum during the month of August, 2008. They also sent me a wonderful book that contains the entire collection of 48 works of Kentucky art Mr. Humphreys collected over three decades. I can’t be thankful enough for this gift. My only regret is that I, more than likely, won't be able to attend the showing this month.

You can feel the excitement I receive when I look at these wonderful paintings by going to the site of the Owensboro Museum of Fine Art. I’ve linked it below. What an honor to have such a wonderful exhibit shared with the people of Owensboro and the many others who will attend this fabulous showing. I hope they will show their appreciation to the family.

Think about becoming knowledgeable about the art of your region. After all, there’s no place like home.

Put a Turbo Charge on your Art, Antique & Collectible Treasure Hunting Skills with FREE MENTORING from Daryle Lambert. Learn Inside the Industry Secrets to help you profit. Then Learn to Grow Your Money Exponentially Buying and Selling only Antiques, Fine Art, and Collectibles with Daryle's Strategic Business Program. Our Members are Newbies to Seasoned Dealers, making more money than they thought possible. Join Daryle Lambert's 31 Club, today.

My 220 page book, 31 Steps to Your Millions in Antiques & Collectibles is FREE with your membership. Join Today!


Today's Photo is a painting by Frank J. Girardin(1856-1945), a native of Louisville, Kentucky who later moved to Richmond, Indiana. This piece is available at Payne Fine Arts

TODAY'S LINK:

Owensboro Museum of Fine Art Humphreys Collection

Saturday, June 21, 2008

Maximizing Opportunities and Staying in Control in the Antiques and Fine Art Business

Most of you know by now that I have many stories about my experiences in the antique and fine art business. I share these stories with you to not only share my knowledge about the antiques themselves, but also as a way to share the ways I’ve handled business relationships and negotiating for items.

If you’re to ascend the 31 Steps and be dealing in the higher end of the markets, you not only have to be knowledgeable about the items, but about people, too. As I’ve said before, this is a people business.

An experience that continues to inspire me on my hunt for antiques and fine art was the time I was heading out to visit my family in Owensboro, Kentucky and was wrestling with the idea of visiting a gentleman who I had spoken to on the phone before I left. He had asked me to stop in and see him while I was in the area, but in my mind, I was thinking it would be a waste of time. After all, he didn’t have anything at the time I’d be interested in, and I was on a time crunch with this trip. But, it weighed on my mind. I reminded myself that this business is built on personal contacts, and if I didn’t have time for meeting with others, I should find another source of income. So, I called him back and confirmed a meeting, knowing that I’d be forming a relationship that might lead somewhere at sometime.

When I arrived at his gallery, he was busy with customers, so I just browsed the gallery. I saw several paintings that caught my eye, and I began to look a little more closely at his offerings. I was very surprised when I discovered several paintings with the gallery owner’s signature on them. I had no idea he was an artist.

He meandered over to me when he finished with his customers, and said, “You must be Daryle.” We spoke for a while when, out of the blue, he asked me if I’d accompany him downtown to see some paintings. I wanted to continue talking with him, so off we went. I’ve learned to always expect the unexpected, and I was game.

We arrived at an office building and went up several floors before we entered a jewelry store. We were greeted by a pleasant man and invited to examine the paintings on the walls. I was so sure I’d have little interest in them and was in no hurry, but that soon changed when I spied a painting that looked to me like one by Harvey Joiner. Sure enough, it was! And next to it – why – I couldn’t believe my eyes! It was a very large Carl Brenner painting. And it didn’t stop there. The next painting was a favorite artist of mine: Patty Thum. If you’re not following me, these are all Kentucky artists that I specialize in! My hands began to tremble. I felt like a kid in a candy shop, but I didn’t want to show my excitement.

The gallery owner who had brought me to see these paintings asked if I had any interest in any of them. I said, “Maybe.” About that time, the owner of this particular shop asked if I thought there was anything here that might have my interest. This broke me out of my trance, and in a feeble voice I said, “You have some nice paintings.”

“Is there any special one you are interested in,” he asked? This is where I knew I had to keep my cool.

“Well," I said, "I'm really looking to buy a collection.” This was the first thing that came out of my mouth. “Really,” he responded. “Well you can buy these.” I now knew I was leading this trade in the right direction and maintaining a poker face was absolutely essential.

I ask if he had a pen and paper and he soon produced them. I tried to make it appear as if these paintings weren’t really anything that special to me, but at the right price, I could be interested in buying them all. I went to each painting and asked the price, then figured what I could pay, then added it to the preceding price on my paper.

I could see his interest peaking, because he knew the figure I was going to offer would be considerable. By the time I finished marking down the inventory on paper, there were about a dozen paintings, and my figure totaled between thirty and forty thousand dollars.

For awhile he insisted there was no way he would sell them for that amount. But, I could see in his eyes, there was no way he was going to let me and my money leave his shop. At this time, all I had to do was make it appear that I was moving his way a little. There was one painting that he was especially attached to, so I offered to drop this one from the deal. But, he apparently wanted to prolong the game, by saying he’d need to go in the back office to see what his cost on it was. I knew the game was over and we already had a deal. He soon emerged from the back office and said, “I never thought I’d do this, but I guess we have a deal.”

There were smiles all around because I’m certain the seller made a handsome profit, the gentleman who brought me in made about $4,000 and I had just pocketed $30,000 or more. This ended a very happy story.

I’m sure that I don’t have to tell you all the lessons that can be learned in this story, but one very important one is to maximize every opportunity that presents itself to you and always be in control of that opportunity.

Put a Turbo Charge on your Antique & Collectible Treasure Hunting Skills. Join Daryle Lambert's 31 Club.

Get FREE MENTORING. Learn Inside the Industry Secrets that help you increase your profits. Then Learn to Grow Your Money Exponentially Buying and Selling only Antiques, Fine Art, and Collectibles with Daryle's Strategic Business Plan. Our Members are Newbies to Seasoned Dealers, making more money than they thought possible. Join Daryle Lambert's 31 Club, today.


My 220 page book, 31 Steps to Your Millions in Antiques & Collectibles is FREE with your membership. Join Today!

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Saturday, June 14, 2008

Working the Trends in the Antique and Fine Art Markets

Lotton Glass Lava & Cypriot Vases. Photo from Lotton Glass Club.

It’s come up upon the first year anniversary since I published my book and launched the 31 Club, and naturally, I’ve been thinking about the past year. I’ve shared a lot of my expertise with blooming enthusiasts, and it does my heart good to see many of you doing things you never thought you could do. It’s always helpful to visit the past for a brief time and examine what’s occurred, so let's do that.

When 31 Steps to Your Millions in Antiques & Collectibles was released, others were stating that the Antique, Collectible, and Fine Art Markets were doomed. I completely disagreed with the barrage of negative articles that came out about this topic, so we decided to go on a crusade to show that these markets, were in fact, healthier than ever. So we wrote about it and sent our articles all over. A look at the market today shows that there are record prices realized in almost every category of the industry, and while I don’t get to read everything around, I haven’t seen negative articles about our industry in a long time. But where is the market headed now? Remember the trend is your friend so let’s check out a few markets.

The American Art Market is still on fire. Paintings that were bringing in only a thousand dollars or two dollars may produce figures today that I'm startled by. I’ll start with some of the markets that I am most familiar with.

Paintings by Kentucky artists have reached heights that most who collect them never thought possible. Harvey Joiner’s paintings, just a few years ago, could be purchased for $400 to $500 dollars. The market trended upward, and the prices escalated to the $800 range. But, over the last 24 months, his paintings may now demand $10,000 to $15,000 and even the smallest 5 to 8 inch paintings can fetch $4,500 at auction.

I have probably sold 30 of Joiner’s paintings over the last 5 years, and I’ll say I wish that I had them back at the prices I sold them for, but that isn't the way we work in the 31 Club program, is it. We take our profits and move on with our money, and keep it turning. That's the only way the compounding effect we are looking for will ever be achieved.

Regional Art

The same that we said about prices on Harvey Joiner can also be said about artists such as Carl Brenner and Patty Thum. Collectors are standing in line to purchase works by these artists that are not even their best. The trend in Regional Art is going straight up, so you might want to look into your local market and see if it's following the trend. If it is, don’t you think it might be worth your while to find some of it?

Art Glass

My friend, Warner, introduced me to Lotton Glass less than five years ago. At that time, we were able to purchase examples of Charles Lotton’s best work for under $500 for small and medium pieces, but what about today?

I pulled out some old auction catalogs from back then to see if there was perhaps a single piece of Lotton represented in the sales. I don’t think I found more than two pieces in any one sale. And there weren’t buyers lined up for these pieces. Flash forward to today and you find that both Early’s Auction and Cincinnati Art Gallery just completed sales with about 40 pieces of Lotton represented in each sale.

Usually when this many pieces of anything are sold at one auction, the prices are reduced, but not in this case. Most of the Lotton offerings brought close to retail. So, where’s the trend here? We can still look to make a wonderful profit on this glass if we can buy it right. Most good pieces of Lotton Glass are bringing in over $1,500 and as much as $7,000 or $8,000. I believe this same trend is being followed by most good Art Glass today.

Know What The Trend is and Follow It.

Know what’s in demand today and look to buy these items as you ascend the 31 Steps of our plan. Follow the trend and buy, buy, buy – according to the plan developed in 31 Steps to Your Millions in Antique & Collectibles. When you do, you’ll find you’ll complete these steps in this upward market faster than you could ever have imagined. See you in the winner’s circle.

Join Daryle Lambert's 31 Club, today. Put a Turbo Charge on your Antique & Collectible Treasure Hunting Skills. Get FREE MENTORING. Learn Inside the Industry Secrets that help you increase your profits. Continue to Grow Your Money Buying and Selling Antiques, Fine Art, and Collectibles with Daryle's Strategic Business Plan. Our Members are Newbies to Seasoned Dealers who are making more money than they thought possible.

My 220 page book, 31 Steps to Your Millions in Antiques & Collectibles is FREE with your membership.

WE LOVE TO HEAR FROM YOU. PLEASE LEAVE A COMMENT! You can sign in "Anonymous."

Wednesday, February 27, 2008

Paintings by Artists You Can't Find Information About

Harvey Joiner's "Kentucky Beechwoods-Autumn." Photo from Higgins-Maxwell Gallery


It is easy to find out the value for paintings by Andy Warhol, Robert Wood, or Thomas Paine by going to the Internet or Davenports Price Guide, but how about Stefin Krammar, Harvey Joiner, or Robert Knudson? If you haven't heard of these last three, that comes as no surprise to me. But I have a painting by each one of these artists. Why do I have these? Each one has great quality in their workmanship and has a fairly high retail value if you can find a buyer. Besides that, I paid very little for them.

By doing the smallest amount of research, you will find the values on 150,000 artist in the Davenports Guide and many more on an Internet Search. This still leaves thousands of artist undiscovered that command high prices for their pieces.

In fact, I have found that the most money to be made, based on percentage invested, is in finding a painting that will bring a great deal of money in a particular part of the country, but the artist doesn't make the regular channels that you would generally consult.

Let's take my Stefin Krammar for instance. Mine is a watercolor of a cowboy riding through the countryside. At the time I found it, western scenes appealed to me. I purchase it for $250. It was very well done, so I figured that it was worth more than $250, even if Krammar wasn't a well known artist. I searched and searched for information about Krammar, and I finally discovered that he was a Texas artist and a museum in Texas was compiling an exhibit of his work. Nothing could be found on the Internet or in my guides, so I called the museum inquiring about its possible worth. My jaw dropped to the floor when the answer came back "$5000." Yes, it was worth a lot in Texas but it seemed nowhere else. I had very little competition in buying this painting because most people would have given up on finding a value on this artist after that initial search. Knowledge and that extra mile will pay off in spades if you are patient.

Harvey Joiner and Robert Knudson are similar situations. There is little known about them outside of a small area of the country where their work is collected. Harvey Joiner's paintings will bring three to five time more in Kentucky than anywhere else in the country. If you check his record price for a painting, I think it will be about $4000. But, I can assure you that the right piece of his work in Kentucky might fetch $15,000- $20,000 dollars or more. Remember the Joiner portrait I bought on the East Coast for $240 sold for $3,700 in Indiana.

I think that you can see what I'm getting at. If a painting has a high enough quality, you might not have to worry if you don't find it in the guides. You can still turn some serious money. By having the knowledge to evaluate the quality of a painting, it can substantially reduce your competition, especially if you don't recognize the artist.

How do you get this knowledge? By looking at as many paintings as you can and trying to distinguish what makes each one valuable. There is no substitute for viewing paintings, but also you have the staff at the 31 Club to help you. When you join us, your one-time membership fee will open the door to a world of help and information. You'll learn why certain paintings are valuable and how to spot them. As a member, you also have access to our Associate Program. This program can help you purchase a painting you might have stumbled upon, if you haven't yet built up the cash to make the purchase yourself. We'll help you buy it and take care of the sale. What could be better than that?

The 31 Club uses a wealth building plan that can help you accumulate enough funds to last a lifetime, buying and selling antiques, collectibles, and fine art. Join the 31 Club. Learn about Antiques & Collectibles. Learn How to Invest in Antiques & Collectibles and build lifetime wealth. The plan is in my book. When you join today, you'll receive my 220 page book, 31 Steps to Your Millions in Antiques & Collectibles, FREE.

"...I spent about 15 years in the antiques and collectible field
and I can tell you this is one of the best books you will ever
read about making money with art, antiques and collectibles."

-Skip McGrath, Auction Seller's Resources & EBay Powerweller

"It has been a great pleasure knowing Daryle for more than
10 years. I share his excitement in releasing this book. He is
a man of his word."
Riley Humler, Cincinnati Art Galleries
Consultant, Antique RoadShow

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31 Gallery & Marketplace, click on over and take a look. You might even find a real bargain. We've got many high quality items priced reasonably. If you have a high quality piece you'd like us to find a buyer for, why not consign your item to us. No high fees when you sell with us.

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Thursday, January 3, 2008

Daryle Lambert: Surprise Value in Sleeper Paintings -- Harvey Joiner


Just because the art world is on fire doesn't mean that every artist will have his work available for sale in the market. Why is this important to know?

Let's take Kentucky artist, Harvey Joiner for example. Though he was exceptionally skilled in portraiture, having painted the first five Indiana Governors and portraits of prominent people of the time, he became best known for his paintings of Cherokee Park in Louisville, Kentucky. He was born in 1852 and died 1932. His work wasn't appreciated until the last few years, and not many of his paintings have changed hands throughout the art world . Most of his paintings have stayed within the families they were painted for. If they were purchased, they were handed down through the families.

Because his paintings very seldom come on the market, his sales prices in the art guides have stayed very low. In fact, over the last ten years, you can find very few listings and prices of his work sold. If you look him up in the ASK ART guide, you will find 15 listings, and only two of these listings are over ten years old, and most of them are within the last two years.

Because of this, the prices for his paintings are way behind the market. In ASK ART his highest listing is $4,000, but I personally know that some of his paintings have brought over $10,000 when sold through private transactions. Do you think this information gives you the advantage when you spot a Joiner, knowing that if a person researched it, they could only find a value of $4,000 or less?

When you are studying painters, check to see when their last painting came up for auction. This might just give you the clue that you're searching for. If it has been quite a while since something has sold, you can take an educated guess that the value might have appreciated several times from that sale but not be shown by the guides.

What I find is that there seems to be works from a small group of painters the market continually sells over and over. In fact, as I check ASK ART, I often find the same painting has sold four or five times in the last ten years. The term "new to the market," often tossed around by the auction houses, to me means that no one knows what the true value will be when the painting is sold.

Let's look and see what we can learn from this. If you're considering making an offer on a painting, and the artist hasn't had a piece come to market for a while, take that as a plus, because more than likely it will be undervalued. Second, if it has been several years since the artist has had one of his paintings sold, you might find that they are selling at a huge premium in the private market compared to the values that are in the guides. An example of this is a Pauline Palmer painting sold privately by one of our 31 Club members for $120,000, yet the auction guides list Palmer's highest price gained at an auction around $50,000. Third, your study and knowledge can come into play because most people simply look at the auction record guides, then offer half of what the guide states. You might offer more than the guide shows.

One of the greatest benefits to being a member of the 31 Club is that you'll have access to all the information necessary to evaluate a painting. When you call us and e-mail the specifics of the piece, such as size, type of painting, artist's name, photos of the front and back, perhaps some detail shots, and a shot of the signature, we can give you an estimated value. We can even purchase the painting with you if you choose.

The main reason I now spend 75% of my time in the art field is because that is were the big money can be found. Just check the auction records in the trade paper. You'll see what I mean.

Have you taken out your subscriptions to the Maine Antique Digest, AntiqueWeek, and The Antique Trader? What are you waiting for? These are your guides to wealth. One poor or mediocre painting bought because you read an article in one of these papers can pay for all of them for the rest of your life.

Today's Photo is a detail from a portrait by Harvey Joiner, currently up for auction at Sohn's Auction House in Evansville, Indiana at this weekend's auction, beginning Friday.

If you're looking for the pathway to reach your goals with antiques, collectibles and fine art, the 31 Club can be the venue that will give you the nuts and bolts for successfully buying, selling and profiting in the 21st Century Marketplace. Join us today and rub shoulders with like-minded people.

If you wish to leave comments use the ANONYMOUS button and then you don't have to sign in to leave your message. Chime in and participate with us.

Monday, December 3, 2007

Daryle Lambert - "Where Have You Been All My Life?"


Post for Tuesday, December 4, 2007
From: Guest Blogger, Cindy

Daryle and I are headed out to Evansville, Indiana about 4:00 this morning, so I'm posting this in advance while Daryle gets his beauty rest. He'll need it for the long ride ahead.

Why are we going? We recently purchased a Harvey Joiner painting from an Auction House, and after having it cleaned, Sohn Auction in Evansville, Indiana seemed to be the venue best suited for this painting. It goes up for auction January 2nd. While we're there, we'll also be meeting 31 Club Member, Cecil, to see what he's up to.

In the meantime, I'd like to share this testament from one our most recent Club Members. It's long, but well worth the read.


"Dear Daryle,

Where have you been all my life?

That’s what I asked myself after our initial meeting at my home a couple of weeks ago. I’ve been waiting for someone to come alongside me and steer me in the right direction for a long long time. You are amazing, Daryle, and I can’t begin to thank you for everything you’re doing for me but thought maybe a little chronicle of the last weeks might be of use to you. Please feel free to share it as you like.


A Life Changing Encounter

I’ve lived in the same house for years. I lived there with my parents. My grandmother built the house and I visited as a little girl. It’s home. I love my home but I don’t love what has happened to it.

My grandmother died over 50 years ago. She had “stuff”. Maybe even some quality stuff. Little pockets of “stuff”. I couldn’t get rid of her stuff and from time to time I have even enjoyed “rediscovering” this stuff stashed away.

My parents died. More stuff. Stuff from the other side of the family. Stuff they had accumulated. Stuff I had as a child. I moved into the house. Yes, more stuff came. The problem began to appear. Too much stuff. Good stuff became mixed with not so good stuff. Stacks of National Geographics took over shelves that could have displayed one of a kind ivory carvings. About 25 paintings and antique maps had to be stored in the attic because there was no room to display them downstairs. I had little boxes of “treasures” everywhere---pins and ribbons from various war veterans, foreign coins collected by someone in the family, button collections from every sewer in the last hundred and fifty years, letters, postcards, jewelry. Here and there were pieces of antique furniture not in use because there was no place to use them. I had to rent a storage facility to store some of my excess stuff.

I became overwhelmed. I knew I had a big problem but I didn’t/couldn’t act on it. I didn’t know where to start but I also knew that here and there I could have some real treasures. You see, through the years I had tried to find out about some of my antiques. Some of the pieces my mother had told me were quite valuable. Some of the pieces that were now hidden amidst the stuff. There was a Tiffany style lamp given to my mother by an elderly woman about 40 years ago. I couldn’t find a mark on it but I suspected it could be really something. There were the ivory carvings currently mixed in with the common Hummels. My mother had bought them at Gump’s in San Francisco years ago and had always been quite proud of them. I didn’t know anything about ivory and I didn’t know quite what to do with them. Then there was her punchbowl---a stunning amberina bowl with a lid and ladle. I’d looked at amberina at antique fairs and antique stores and felt I’d seen enough of it to know that my punchbowl was very special. There was a bronze, paintings, antique jewelry, a gorgeous art bowl... I didn’t know who I could even ask about these special things.

Enter Daryle. We made an appointment and he came over to my house. He was there 6 hours! We walked around, me with a notepad, he with his eagle eyes. He turned things upside down and told me “write this down” as he made out various marks. He went up in the attic with me and crawled around stacks of stuff looking carefully at everything that caught his eye. We looked at every painting and print and again, he’d say “Write this down” when something had value or potential value.

Throughout the afternoon I was like a sponge absorbing everything he told me. I began to notice something about Daryle. He could easily spot many treasures and tell me about their value. What was more interesting was watching him when he stopped and decided to look something over in great detail. The ivory figurines, for example. He showed me how to determine if a piece was ivory. He looked at every detail of the carvings and exclaimed how marvelous they were. I began to understand and appreciate them myself. I had some little ivory figurines besides the bigger ones. He showed me why the little ones didn’t come close to the quality of the others. I understood what he said.

He loved the lamp shade. I took it off the lamp and put it on the table so he could see it better. He pointed out the unique shapes of each piece of stained glass. He pointed out the ripple edge. Clearly he valued this lamp and I began to understand why he did.

He picked up the bronze, commenting that I should never clean it. “Never clean old metals with the exception of silver.” He looked and found a name on the bronze. “Write that down” . I did.

He stopped and admired an oil painting hanging in my front hall. I’d always liked it but it had a small hole in it. He said, “Don’t worry about that! It can be repaired.”

And then we came to the jewelry I’d stored in a safety deposit box. Pieces of antique jewelry my mother had collected 50 years ago. These were quality pieces with their original written purchase descriptions. Daryle sat down with me and looked at each one with such appreciation. He said that in all his years he’d never seen anything anywhere near like this collection.

It was dark outside and time to quit but Daryle talked for awhile. He gave me some advice and offered to help me. His advice? Start with the quality. Take time. Investigate what you have and then sell whatever you don’t want to keep for yourself. Focus on the quality. You don’t need the quantity if you have the quality.

We said goodbye and I promised to type up the list of notes and email it to him. I pondered over his thoughts and suggestions. I still had concerns about the amount of stuff but I found myself wanting to learn more about the quality pieces I had.

Over the next week I began to do some online research. I learned a little more about some of my real treasures. My art bowl is a Leerdam Unica made by A.D. Copier, a designer who worked from 1914 to 1971 in Holland. The Unica series is comprised of one of a kind (unique) pieces. I found a guide to the markings that told me my bowl was made in 1931. I found a link to a glass museum in Holland with a photo of a bowl made by A.D. Copier that looked very much like my bowl. I emailed a friend in Holland who will try to find out more for me.

I also investigated the piece of jewelry that had had Daryle tell me that it was worthy of a Christie’s auction. A miniature portrait on ivory by artist Henry Bone set in a stunning 2 piece antique British gold set with diamonds. I looked up Henry Bone and discovered he was a noted British enamel painter whose miniatures are in some of the best collections of art and treasures in the world. Wow. Now I really understood more about Daryle’s emphasis on quality. If indeed I had a quality piece that would appeal to collectors world wide, wouldn’t the time to sell it be when the dollar was low and people around the world could get a bargain?

Daryle and I talked and emailed a lot over the next weeks. He too was looking into the best pieces I had shown him. He gave me some information on some of the marks he’d seen on some of the pieces. He gave me the name of an art restorer he used in Chicago. He sent my photos of the punchbowl to an expert in amberina he knew in West Virginia. One afternoon I was at his home and he excitedly said he had something to show me about my lamp. Then grinning he said “Would you take $10,000 for your lamp?” I recognized those words from his book and I knew what to say. “NO”. He smiled and showed me a picture from an antique digest of a lamp shade very similar to mine that had just brought $32,000 at auction! He told me to go home and get a number of photos of my lamp and send them to this same auction house and ask their opinion of it.

Daryle then picked up the phone and called Christie’s in New York. He asked for the jewelry department and was given a name of a lady who was not only in that department but who was coming to Chicago this winter. He told me I should email her, send her pictures and ask for an appointment.

We talked about the “stuff” in my house and how overwhelmed I felt. He said “Don’t be.” I’ll come over and we’ll get boxes. We can take boxes to direct auctions and I can take some of the good items to house sales where I offer my help. We can go through your entire attic in no time.” Daryle even offered his advice for a long term plan/goal for me after I had whined about needing a plan for the fiftieth time.

So, what has happened in the last weeks?

I’ve identified the major items of value in my home and I’ve learned a lot about them and why they’re valuable

I’ve been in contact with auction houses

I’ve taken steps to enjoy some of what I own even more by taking two oil paintings to the restorer

I’m developing a new appreciation for unique, quality items

I’m able to see myself “letting go” of items that are taking up space

I’m living out Daryle’s words: “The control of how you spend your money and the knowledge you acquire will be the determining factors in your success.” What a journey it is!

Daryle is truly an amazing man. Not only is he quite knowledgeable, he is also trustworthy and a man of honor. He doesn’t pretend to know everything. He is learning all the time, teaching whenever he opens his mouth, and encouraging others all the while. He is a godly man and a humble man who lives out what he says. I am proud to call him a friend.

----A New and Very Active Member of the 31 Club"

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